Combining studies of traditional Japanese art with modern process and content, my work seeks to address a post-globalized world as well as my own personal biracial history.

 

Using the aesthetic of ukiyo-e woodblock prints, I combine anachronisms and layers of homage to explore cultural dualities.

 

In doing so, I feel like I am part of a centuries-old artistic discourse that has long addressed lineage, obsolescence and appropriation. 

 

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